sponsr logo design process

19 comments on this entry so far

Liammdotcodotuk

I love it! really strong identity and the typeface fits perfectly with the mark. Can I ask, do you implement your grid once you have both elements of your identity and then work both elements to fit well and aligned with each other, or do you have another technique?

Liammdotcodotuk, on September 9th, 2009

Emil Bonsaksen

I love it. It is a delight to look at.
Gentlemen, a toast! :-)

Emil Bonsaksen, on September 9th, 2009

Bill Bartmann

Brilliant work David!

Bill Bartmann, on September 10th, 2009

web page designer

Beautiful.  I will say that what keeps me coming back to this site is seeing the whole design process, very cool to see the sketches, colors, and the ultimate final product.  Thanks again for sharing it with us!

web page designer, on September 10th, 2009

matthew

wow David, great logo. I find your use of grids and geometry fascinating, could you tell us more about your process?

matthew, on September 10th, 2009

Dean

One of your best articles yet David, thanks for posting.

Dean, on September 10th, 2009

Marc

Oh, the colors are quite amazing! And I really like the shape of the symbol, pretty interesting how you depicted connection and support. Simple but effective typography as well.

Thanks for sharing, David! ;D

Marc, on September 11th, 2009

Pete

Bravo!

Pete, on September 11th, 2009

Fabian

Nice design David! It that font total handmade or a customized font?

Fabian, on September 11th, 2009

David Pache

Thanks to everyone for the great feedback on the blog and emails. For those wondering, the grid work as well as the final solution was all created in illustrator after initially being created in my dot grid book.

Matthew, I appreciate your question! Anything in specific you would like to know?

Fabian, thanks for the comment. It is all hand made. I attached the early line/spline work at the following link for you to see. http://twitpic.com/hkrfi

Liam, thanks for posting. Something I didn’t mention is that during the creation of the type, I made sure it was divisible by 3, 6 or 12 parts in the grid which opened up my possibilities for symbol integration later on. I try to plan everything as much in advance as possible before going to software. Sometimes one element comes first, or both together. Anything is possible when there is a creative process and I love to change things up every time not only to stimulate me, but energize the project.

Thanks again everyone, I really appreciate your interest, your opinions and your questions.

David Pache, on September 13th, 2009

Rodromoptero

hi, this is the first time i write, i live in tampico, tamaulipas, mexico, i´m 23 yo and since i know your work i became a true fan of all your portfolio, let me congrat you because i really love it. these days i´m moving to a bigger city to try luck at better and bigger design pubs, i always try to get my own solutions following steps from people i admire and you are on of them, keep the good work, i´ll be visiting you often… :)

Rodromoptero, on September 14th, 2009

Indranil

David, this is an absolutely brilliantly done work! Amazing.

Indranil, on September 15th, 2009

Cris Labno

It has been always a big pleasure to visit you portfolio. Great work man, keep it up!

Cris Labno, on September 20th, 2009

Tony

David, very slick.

One question…what program is that shot from with the fully built Sponsr typo? Those guidelines don’t look like Illustrator guides. Just wondering what you used to build the type. Thanks!

Tony, on September 20th, 2009

David Pache

I really appreciate your comments and feedback guys. Thank you.

To reply to your question Tony, no special software here except for Illustrator. I tend to make these guides manually for more control.

David Pache, on September 21st, 2009

Claudio Mendonça

I really liked it. The icon is great, the font is great too. I really liked the application of the type on top of the texture. I’d do 1 minor change on the letter “P”, but thats all.

Claudio Mendonça, on September 30th, 2009

Douglas Bonneville

This is a fantastic post about a fantastic design process that yielded a fantastic logo. I love seeing a methodical process yield very original ideas. It’s true that by following the rules of design, and planning ahead as you say, we can release creative freedom like this. Simply great work. For me anyway, it’s a great benchmark post from which I’ll refer to when posting my next creative process. Instead of posting “250 great resources”, we have great original content here.

Questions for you: what do you use for a camera? Cell phone? Point and shoot in no-flash, macro mode? Are you adding subtle gradient to screen shots to give a more natural lighting effect on the blue/gray grid shots? Lovely, however you did it.

Douglas Bonneville, on October 7th, 2009

Todd Chessum

Really great work on the typeface! Thanks for including the overlay images and letting us all in on your design process.

Cheers!

Todd Chessum, on January 11th, 2010

Gary Revell

Great illustration of the design process inwhich you undertook.

the final branding is very strong,

thank you

Gary

Gary Revell, on January 13th, 2010

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