sponsr logo design process
sponsr is a web company from Orlando,Florida connecting sponsors to event promoters, venues and producers. Paul Geller, founder of sponsr, approached me to create their business identity. This article serves as an insight into my creative approach.
The Creative Brief
Once sponsr had made the initial contact, I discussed the project with them in order to gain a more solid idea of which direction they had envisioned. sponsr is different to its competitors in that it is a completely web driven service with online transactions and is fully searchable. Sponsorships in their case are when corporations deal with event promoters in return for advertising or placing their name on an event. They required an elegant and timeless visual identity that was more end-user driven than business to business.
Drafting and Development
There were two major themes which I wanted to explore : connection and support. Below you will find a selection of the sketches which inspired me to create the final design.

This alternative concept is that of support and how a sponsor can support, aid and allow people to reach higher and achieve further success. The image below demonstrates how I transferred the drawings into Illustrator to improve the line work.

Although the concept was not taken further, one key element to the development of the branding was that the identity had its color scheme confirmed. A palette which was original within this industry was an important factor to the launch.

Inspiration
Although not a direct inspiration, I am a fan of the works of the Swiss painter of German nationality Paul Klee. Having recently been reintroduced to his work from a book I acquired at a flea market in Bern, his mastery of colors and techniques is fascinating and is an inspiration to me.

Paul Klee - Southern (Tunisian) Gardens - 1919
Logo development
In parallel to sketching ideas for the symbol, I developed a custom set of sans serif letters for the project as it was of high importance to the client to have a font recognisable only to them.

I took my sketches further and eventually was happy with the result which was then taken into the dot grid book where I was able to tweak it further and fully plan how the grid for the symbol would work once in Illustrator.


I integrated the symbol into the grid used for the uniquely designed typeface to keep things harmonious. The addition of the .com was included for certain variants of the identity.

The monochrome solution being complete, I now had all the elements to complete the identity.

Final solution
For the final solution I took the coloration from the previously explored idea of support. The principal concept in the final design is that of connectivity so as to reflect the main element of sponsr’s business whilst its multiple layers reflect the idea of growth.

Client Testimonial
“David is as sublimely talented as he is punctual and professional. He quoted me a reasonable price, really listened to what I wanted and delivered me an iconic brand.“
Paul Geller, founder of sponsr
I wish sponsr all the best for a successful launch and I hope that you have found this to be an interesting article. As always, any constructive criticism and comments from readers is valued so please feel free to offer any thoughts you may have on this design and the article. Hope you enjoy!

19 comments on this entry so far
I love it! really strong identity and the typeface fits perfectly with the mark. Can I ask, do you implement your grid once you have both elements of your identity and then work both elements to fit well and aligned with each other, or do you have another technique?
Liammdotcodotuk, on September 9th, 2009
I love it. It is a delight to look at.
Gentlemen, a toast! :-)
Emil Bonsaksen, on September 9th, 2009
Brilliant work David!
Bill Bartmann, on September 10th, 2009
Beautiful. I will say that what keeps me coming back to this site is seeing the whole design process, very cool to see the sketches, colors, and the ultimate final product. Thanks again for sharing it with us!
web page designer, on September 10th, 2009
wow David, great logo. I find your use of grids and geometry fascinating, could you tell us more about your process?
matthew, on September 10th, 2009
One of your best articles yet David, thanks for posting.
Dean, on September 10th, 2009
Oh, the colors are quite amazing! And I really like the shape of the symbol, pretty interesting how you depicted connection and support. Simple but effective typography as well.
Thanks for sharing, David! ;D
Marc, on September 11th, 2009
Bravo!
Pete, on September 11th, 2009
Nice design David! It that font total handmade or a customized font?
Fabian, on September 11th, 2009
Thanks to everyone for the great feedback on the blog and emails. For those wondering, the grid work as well as the final solution was all created in illustrator after initially being created in my dot grid book.
Matthew, I appreciate your question! Anything in specific you would like to know?
Fabian, thanks for the comment. It is all hand made. I attached the early line/spline work at the following link for you to see. http://twitpic.com/hkrfi
Liam, thanks for posting. Something I didn’t mention is that during the creation of the type, I made sure it was divisible by 3, 6 or 12 parts in the grid which opened up my possibilities for symbol integration later on. I try to plan everything as much in advance as possible before going to software. Sometimes one element comes first, or both together. Anything is possible when there is a creative process and I love to change things up every time not only to stimulate me, but energize the project.
Thanks again everyone, I really appreciate your interest, your opinions and your questions.
David Pache, on September 13th, 2009
hi, this is the first time i write, i live in tampico, tamaulipas, mexico, i´m 23 yo and since i know your work i became a true fan of all your portfolio, let me congrat you because i really love it. these days i´m moving to a bigger city to try luck at better and bigger design pubs, i always try to get my own solutions following steps from people i admire and you are on of them, keep the good work, i´ll be visiting you often… :)
Rodromoptero, on September 14th, 2009
David, this is an absolutely brilliantly done work! Amazing.
Indranil, on September 15th, 2009
It has been always a big pleasure to visit you portfolio. Great work man, keep it up!
Cris Labno, on September 20th, 2009
David, very slick.
One question…what program is that shot from with the fully built Sponsr typo? Those guidelines don’t look like Illustrator guides. Just wondering what you used to build the type. Thanks!
Tony, on September 20th, 2009
I really appreciate your comments and feedback guys. Thank you.
To reply to your question Tony, no special software here except for Illustrator. I tend to make these guides manually for more control.
David Pache, on September 21st, 2009
I really liked it. The icon is great, the font is great too. I really liked the application of the type on top of the texture. I’d do 1 minor change on the letter “P”, but thats all.
Claudio Mendonça, on September 30th, 2009
This is a fantastic post about a fantastic design process that yielded a fantastic logo. I love seeing a methodical process yield very original ideas. It’s true that by following the rules of design, and planning ahead as you say, we can release creative freedom like this. Simply great work. For me anyway, it’s a great benchmark post from which I’ll refer to when posting my next creative process. Instead of posting “250 great resources”, we have great original content here.
Questions for you: what do you use for a camera? Cell phone? Point and shoot in no-flash, macro mode? Are you adding subtle gradient to screen shots to give a more natural lighting effect on the blue/gray grid shots? Lovely, however you did it.
Douglas Bonneville, on October 7th, 2009
Really great work on the typeface! Thanks for including the overlay images and letting us all in on your design process.
Cheers!
Todd Chessum, on January 11th, 2010
Great illustration of the design process inwhich you undertook.
the final branding is very strong,
thank you
Gary
Gary Revell, on January 13th, 2010